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Miranda July (born February 15, 1974) is a performing artist, writer, actress and film director. Born Miranda Jennifer Grossinger, she works under the surname of "July," which can be traced to a character from a "girlzine" Miranda created with high school friend Johanna Fateman, called Snarla.
Director/actor Miranda July had already achieved tremendous success as an artist by the time she made her first big-screen effort. She'd been quoted as saying that by the time she was 23 she was earning a living entirely from her creative efforts and without the help of a day job, and her list of accomplishments certainly reflects this.more detail about the Miranda is this that By the year 2005, she had showed her multi-media art in such venues as the Institute of Contemporary Art in London and The Kitchen in New York, published short stories in publications such as The Paris Review, The Harvard Review, and Zoetrope All Story, and recorded two EPs and two full-length LPs. It was in 2004, however, that she won a spot at the Sundance workshop and developed the film Me and You and Everyone We Know.keep reading more for details about the Miranda July ,
Miranda July’s second feature film, The Future, began life as a series of stage performances called Things We Don’t Understand And Are Definitely Not Going To Talk About, in which members of the audience were drafted to play the major roles. But there’s nothing stagey or amateurish about the film, a controlled, visually striking project starring July and Hamish Linklater as Sophie and Jason, a laid-back, artsy California couple who suffer through a relationship crisis—including an affair Sophie jumps into with a suburban dad named Marshall—when they panic over the impending responsibility of owning a cat.In person, July was very still, with ringlets of curly hair falling over her wide blue eyes like a protective visor, and she seemed perceptively aware of the “precious” label that is often attached both to her and to her work. At a different point in our time together, I followed her into a hotel room in San Francisco, where Mills had left her a knitted octopus wearing a scarf and hat on the couch. She laughed when she saw it but also appeared a bit mortified: “Oh, God,” she said. “It’s kind of a joke. . . . It’s not. . . . Really, this isn’t us at all.” keep us reading for most latest news about the celebs,world issues,trends,and etc
Director/actor Miranda July had already achieved tremendous success as an artist by the time she made her first big-screen effort. She'd been quoted as saying that by the time she was 23 she was earning a living entirely from her creative efforts and without the help of a day job, and her list of accomplishments certainly reflects this.more detail about the Miranda is this that By the year 2005, she had showed her multi-media art in such venues as the Institute of Contemporary Art in London and The Kitchen in New York, published short stories in publications such as The Paris Review, The Harvard Review, and Zoetrope All Story, and recorded two EPs and two full-length LPs. It was in 2004, however, that she won a spot at the Sundance workshop and developed the film Me and You and Everyone We Know.keep reading more for details about the Miranda July ,
Miranda July’s second feature film, The Future, began life as a series of stage performances called Things We Don’t Understand And Are Definitely Not Going To Talk About, in which members of the audience were drafted to play the major roles. But there’s nothing stagey or amateurish about the film, a controlled, visually striking project starring July and Hamish Linklater as Sophie and Jason, a laid-back, artsy California couple who suffer through a relationship crisis—including an affair Sophie jumps into with a suburban dad named Marshall—when they panic over the impending responsibility of owning a cat.In person, July was very still, with ringlets of curly hair falling over her wide blue eyes like a protective visor, and she seemed perceptively aware of the “precious” label that is often attached both to her and to her work. At a different point in our time together, I followed her into a hotel room in San Francisco, where Mills had left her a knitted octopus wearing a scarf and hat on the couch. She laughed when she saw it but also appeared a bit mortified: “Oh, God,” she said. “It’s kind of a joke. . . . It’s not. . . . Really, this isn’t us at all.” keep us reading for most latest news about the celebs,world issues,trends,and etc
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